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Color photograph of a mountain with half of the print in black and white with an illustration of the mountain top in the center

Richard T. Walker: Photographic Works

“Just as words within a sentence juggle for meaning to expose the fluidity of one’s perceived truth, I want to doubt landscape, but also remain true to the awe and fascination that it evokes.” —Richard T. Walker

Collage of a hand holding a stone surrounded by a red aura over an engraving of a mountain — Richard T. Walker, an elusive equivalence #12, 2017

pigment print, 18-1/2 x 14-7/8 inches (framed) [47 x 37.8 cm], edition of 3

Collage of a fist supporting a stone surrounded by a blue aura over an engraving of a mountain — Richard T. Walker, an elusive equivalence #8, 2017

pigment print, 18-1/2 x 14-7/8 inches (framed) [47 x 37.8 cm], edition of 3

Two framed color photographs of a blue sky with wispy clouds hung at a tilted angle — Richard T. Walker, outside / above, 2020

two pigment prints in artist's frames, 21 x 44 inches (overall) [53.3 x 111.8 cm], 1 of 3 unique variants

Two photographs in jagged-edge frames that fit together to form a rectangle. The top photograph is of a rock, and the bottom is of an etching of a mountain. The two come together to form a whole image of a mountain. — Richard T. Walker, these as determined by this #2, 2018

two pigment prints in artist’s frames, 31-1/4 25-1/8 inches (framed overall) [79.4 x 63.8 cm], edition of 3

Three color photographs of a blue landscape of a snow-covered mountain bisected by a single cloud in a clear sky — Richard T. Walker, an acquiescence of meaning #2, 2020

three pigment prints in artist’s frames, 41-1/2 x 80-1/2 inches (framed, overall) [105.4 x 204.5 cm], edition of 2

Collage of a rock with an iridescent circle imprinted with a mountain peak overlaid — Richard T. Walker, separately/together (unresolved #6), 2019

collaged inkjet print on watercolor paper, with screen print and motor, 18-1/2 x 16-1/2 inches (framed) [47 x 41.9 cm], edition of 2

A framed etching of a mountain, the peak of which has been cut out and left in the bottom of the frame. — Richard T. Walker, the fallibility of intent #6, 2015

cut-out pigment print, 48 x 32 inches (framed) [122 x 82 cm], edition of 2

Color image of a color photograph of a grey sky framed in natural wood with a modified rock on the frame — Richard T. Walker, after thought #3, 2022

pigment print in artist's frame, modified rock, 24-1/2 x 36-1/2 inches (overall) [62. x 92.7 cm], edition of 2

Color image of a color photograph of a cloudy sky with shades of pink and blue and a rock resting on frame on white background — Richard T. Walker, after thought #1, 2022

pigment print in artist's frame, modified rock, 24 x 36 inches (overall) [61 x 91.4 cm], edition of 2

A suite of three color photographs depicting a mountain top framed in white with a fourth framed illustration of a mountain top framed in natural wood on white background — Richard T. Walker, a form of endlessness #2, 2022

four pigment prints in artist's frames, 73-1/2 x 59 inches (installed) [186.6 x 149.9 cm], edition of 2

a diptych composed of two framed mixed media works — Richard T. Walker, this, as it isn’t (mountain #1), 2022

two pigment prints in artist's frames, modified rock, 36-3/4 x 51-3/4 inches installed [93.3 x 131.4 cm], edition of 2

Color image of a diptych depicting a bare tree amongst the landscape with the top half being an illustration against white background and the bottom half a color photograph — Richard T. Walker, eternally almost #2, 2023

two pigment prints in artist’s frames, 37 x 29 inches (installed) [94 x 73.7 cm], edition of 2

Richard T. Walkera paused refrain (embrace 1)

2022

pigment print, 13-1/4 x 19-3/4 inches (image & sheet), edition of 3

Richard T. Walkera paused refrain (embrace 2)

2022

pigment print, 13-1/4 x 19-3/4 inches (image & sheet), edition of 3

Richard T. Walkeran elusive equivalence #12

2017

pigment print, 18-1/2 x 14-7/8 inches (framed) [47 x 37.8 cm], edition of 3

Richard T. Walkeran elusive equivalence #8

2017

pigment print, 18-1/2 x 14-7/8 inches (framed) [47 x 37.8 cm], edition of 3

Richard T. Walkeroutside / above

2020

two pigment prints in artist's frames, 21 x 44 inches (overall) [53.3 x 111.8 cm], 1 of 3 unique variants

Richard T. Walkerthese as determined by this #2

2018

two pigment prints in artist’s frames, 31-1/4 25-1/8 inches (framed overall) [79.4 x 63.8 cm], edition of 3

Richard T. Walkeran acquiescence of meaning #2

2020

three pigment prints in artist’s frames, 41-1/2 x 80-1/2 inches (framed, overall) [105.4 x 204.5 cm], edition of 2

Richard T. Walkerseparately/together (unresolved #6)

2019

collaged inkjet print on watercolor paper, with screen print and motor, 18-1/2 x 16-1/2 inches (framed) [47 x 41.9 cm], edition of 2

Richard T. Walkerthe fallibility of intent #6

2015

cut-out pigment print, 48 x 32 inches (framed) [122 x 82 cm], edition of 2

Richard T. Walkerafter thought #3

2022

pigment print in artist's frame, modified rock, 24-1/2 x 36-1/2 inches (overall) [62. x 92.7 cm], edition of 2

Richard T. Walkerafter thought #1

2022

pigment print in artist's frame, modified rock, 24 x 36 inches (overall) [61 x 91.4 cm], edition of 2

Richard T. Walkera form of endlessness #2

2022

four pigment prints in artist's frames, 73-1/2 x 59 inches (installed) [186.6 x 149.9 cm], edition of 2

Richard T. Walkerthis, as it isn’t (mountain #1)

2022

two pigment prints in artist's frames, modified rock, 36-3/4 x 51-3/4 inches installed [93.3 x 131.4 cm], edition of 2

Richard T. Walkereternally almost #2

2023

two pigment prints in artist’s frames, 37 x 29 inches (installed) [94 x 73.7 cm], edition of 2

Richard T. Walkereternally almost #3

2023

two pigment prints in artist’s frames, 38-1/2 x 25 inches (installed) [97.8 x 63.5 cm], edition of 2

Collage of an etched print and photograph of a mountain outlined by red neon light on a shelf in front of it

Richard T. Walker: Installations & Sculptural Works

Incorporating and transcending photography, Richard T. Walker’s work also extends into sculpture and installation. Working with man-made materials such as neon, musical instruments, and lightboxes, the artist fuses these elements with those from the natural landscape to upend our associations with the environment.

Stone seated on a shelf capped with a silver slice on top — Richard T. Walker, not quite forever #1, 2019

plaster, cast alloy, 12 x 11 x 9 inches [30.5 x 27.9 x 22.9 cm], edition of 2

Color photograph of rocky earth cut around a black speaker in a blue frame — Richard T. Walker, the frequency of longing (reprise), 2019

chromogenic transparency in light box, with embedded speakers and sound, 48-1/2 x 32-1/2 x 7 inches [123.2 x 82.5 x 17.8 cm], unique

Color photograph of rocky earth cut around a black speaker — Richard T. Walker, the frequency of longing (reprise), (detail), 2019

chromogenic transparency in light box, with embedded speakers and sound, 48-1/2 x 32-1/2 x 7 inches [123.2 x 82.5 x 17.8 cm], unique

Hanging golden neon light on a dry tree branch next to a porous stone — Richard T. Walker, the thought of an outline as it refers to its outer self, 2019

neon, found branch, modified rock, 53-1/2 x 11 x 13-1/2 inches (installed) [135.9 x 27.9 x 34.3 cm], unique

Bent white neon light hanging from a ceiling — Richard T. Walker, in as it was, out as it is (and repeat), 2019

neon, inkjet print, speaker, rotating motor, 102 x 34 x 33 inches (installed) [259.1 x 86.4 x 83.8 cm], unique

Color image of a diptych of mixed media works outlined in yellow depicting rocks and branches with two differently sized speakers on white gallery wall — Richard T. Walker, a proximity of longing (connection 1), 2021

chromogenic transparencies on two light boxes with embedded speakers and sound, 26-1/4 x 36-3/4 x 5 inches (overall) [66.7 x 93.4 x 12.7 cm], unique

Color image of a mixed media sculpture consisting of an amp with a guitar and keyboard intwined with a cord attached to a suspended lightbox in a white walled gallery — Richard T. Walker, contingency of an afterthought, 2016

Casio tone MT68 keyboard, modified rock, tripod, stone, Fender Squire telecaster guitar, VOX amplifier, cables, electroharmonics freeze pedal, light box, Duratrans, 215 x 128 x 78 inches (overall installed)

Two irregularly shaped framed prints of blank sky supported by stones and bordered by white neon lights — Richard T. Walker, there to then, 2018

neon, two pigment prints in artist’s frames, modified rocks, 86 x 33-1/2 inches (installed) [218.4 x 82.5 cm], unique

Trampoline hanging from a gallery ceiling with the image of a person jumping in a landscape projected onto it — Richard T. Walker, outside repetition, 2018

projected video, modified trampoline, 120 inches (diameter) [304.7 cm], unique

Color image of a suite of six speakers with photographs depicting various orange hued landscapes on white gallery wall — Richard T. Walker, what we were (as we are), 2023

six photographs in artist’s frames, embedded with speakers, 115 x 172 inches (overall, installed) [292.1 x 436.9 cm], unique

Color image of a mixed media work with bronzed branch and custom framed color photograph depicting a colorful sky — Richard T. Walker, the form of a thought as it defers to its past future self #4, 2022

two pigment prints in double-sided artist’s frame, bronzed branch, 20 x 19 x 23 inches (overall, installed)

Installation shot of a sculptural work including two framed color photographs and a bronze branch — Richard T. Walker, the form of a thought as it defers to its past future self #5, 2022

two pigment prints in artist's frames, bronzed branch, 21 x 13-1/2 x 8 inches (branch & frame, installed) [53.3 x 34.3 x 20.3 cm] 9 x 12-1/2 inches (second frame) [22.9 x 31.8 cm], unique

the form of a thought as it defers to its past future self #5, 2022

two pigment prints in artist's frames, bronzed branch, 21 x 13-1/2 x 8 inches (branch & frame, installed) [53.3 x 34.3 x 20.3 cm] 9 x 12-1/2 inches (second frame) [22.9 x 31.8 cm], unique

Richard T. Walkerthe space inside repetition #1

2013 - 2016

neon, framed pigment print collage, wooden shelf, 27 x 22 x 8 inches (overall) [68.6 x 55.8 x 20.3 cm], edition of 2

Richard T. Walkerthe space inside repetition #1

2013 - 2016

neon, framed pigment print collage, wooden shelf, 27 x 22 x 8 inches (overall) [68.6 x 55.8 x 20.3 cm], edition of 2

Richard T. Walkernot quite forever #1

2019

plaster, cast alloy, 12 x 11 x 9 inches [30.5 x 27.9 x 22.9 cm], edition of 2

Richard T. Walkerthe frequency of longing (reprise)

2019

chromogenic transparency in light box, with embedded speakers and sound, 48-1/2 x 32-1/2 x 7 inches [123.2 x 82.5 x 17.8 cm], unique

Richard T. Walkerthe frequency of longing (reprise)

(detail), 2019

chromogenic transparency in light box, with embedded speakers and sound, 48-1/2 x 32-1/2 x 7 inches [123.2 x 82.5 x 17.8 cm], unique

Richard T. Walkerthe thought of an outline as it refers to its outer self

2019

neon, found branch, modified rock, 53-1/2 x 11 x 13-1/2 inches (installed) [135.9 x 27.9 x 34.3 cm], unique

Richard T. Walkerin as it was, out as it is (and repeat)

2019

neon, inkjet print, speaker, rotating motor, 102 x 34 x 33 inches (installed) [259.1 x 86.4 x 83.8 cm], unique

Richard T. Walkera proximity of longing (connection 1)

2021

chromogenic transparencies on two light boxes with embedded speakers and sound, 26-1/4 x 36-3/4 x 5 inches (overall) [66.7 x 93.4 x 12.7 cm], unique

Richard T. Walkercontingency of an afterthought

2016

Casio tone MT68 keyboard, modified rock, tripod, stone, Fender Squire telecaster guitar, VOX amplifier, cables, electroharmonics freeze pedal, light box, Duratrans, 215 x 128 x 78 inches (overall installed)

Richard T. Walkerthere to then

2018

neon, two pigment prints in artist’s frames, modified rocks, 86 x 33-1/2 inches (installed) [218.4 x 82.5 cm], unique

Richard T. Walkeroutside repetition

2018

projected video, modified trampoline, 120 inches (diameter) [304.7 cm], unique

Richard T. Walkerwhat we were (as we are)

2023

six photographs in artist’s frames, embedded with speakers, 115 x 172 inches (overall, installed) [292.1 x 436.9 cm], unique

Richard T. Walkerthe form of a thought as it defers to its past future self #4

2022

two pigment prints in double-sided artist’s frame, bronzed branch, 20 x 19 x 23 inches (overall, installed)

Richard T. Walkerthe form of a thought as it defers to its past future self #5

2022

two pigment prints in artist's frames, bronzed branch, 21 x 13-1/2 x 8 inches (branch & frame, installed) [53.3 x 34.3 x 20.3 cm] 9 x 12-1/2 inches (second frame) [22.9 x 31.8 cm], unique

Richard T. Walkerthe form of a thought as it defers to its past future self #5

2022

two pigment prints in artist’s frames, bronzed branch, 21 x 13-1/2 x 7 inches (branch & frame, installed) [53.3 x 34.3 x 17.8 cm], 9 x 12-1/2 inches (second frame) [22.9 x 31.8 cm], unique

the form of a thought as it defers to its past future self #5

2022

two pigment prints in artist's frames, bronzed branch, 21 x 13-1/2 x 8 inches (branch & frame, installed) [53.3 x 34.3 x 20.3 cm] 9 x 12-1/2 inches (second frame) [22.9 x 31.8 cm], unique